Historical outline of individual instruments


Brass


Trumpet


Before the 17th century

  • Trumpets were, for a long time, straight lengths of tubing. Around 1400, instrumt makers started to bend tubing, first into an S-shape, then into an S-shape folded back to make a loop.

 

 

17th century

  • By the early 17th century, the trumpet’s body became more standardized.
  • Throughout the 17th and early 18th centuries, the trumpet did not undergo many changes except for the shape of the bell flare or narrowness of the bell throat.
  • In 1623, the Imperial Guild of Trumpeters and Kettledrummers was formed in the Holy Roman Empire. The Guild had a few functions: (1) to limit the number of trumpet players, and (2) to make sure the trumpet remained exclusive and special by limiting where it could be played and by whom.
  • During the 17th century, the trumpet was accepted into “art music”, as seen in compositions. Two styles of trumpet playing developed: (1) loud blowing for military signals and outdoor music, and (2) a softer style of playing.
  • During the Baroque period, the most important centers for trumpet playing were Vienna, followed by Dresden, Leipzig, Weissenfels, Kremsier, Bologna, London, and much less Paris and Lisbon.
  • By the time Bach arrived in Leipzig, a strong tradition of trumpet playing was already established.

 

18th century

  • By mid-century, the Baroque trumpet reached its height and then fell into decline.
  • By the late 18th century, new musical styles did not call for trumpet in the usual way. In addition, the courts were in decline, and the French Revolution contributed to the collapse of the Guild of Trumpeters and Kettledrummers.
  • In the Classical works of Haydn, Mozart, and Beethoven, the trumpet appeared mostly in tutti passages and fanfares at the end of movements which recalled the trumpet’s earlier function in the court.

 

19th century

  • By the early 19th century, attempts were made to create a trumpet that could play a chromatic scale. After some experimentation, the valve system proved to be most successful. Valves allowed for homogeneity of tone, and were easier to play than slide trumpets (another attempt to enable the playinf of a complete scale).
  • In 1820, the square piston valve or box valve was applied to the trumpet. Most of the early valve trumpets were in F or G.
  • Berlioz was one of the first composers to write for valve trumpet.
  • Around 1830, the cornet in Bb was invented, which influenced the introduction of the Bb and C trumpets. Throughout the 19th and 20th centuries the popularity of the cornet increased and nearly replaced the trumpet in the orchestra, especially in France and the United States near the turn of the 20th century.
  • The rotary valve was patented in 1835 and the piston valve in 1838. These are the two main types of valves on trumpets today.
  • During the mid-19th century, the Bb valve trumpet appeared, and a gradual transition to playing the Bb trumpet occurred throughout the rest of the century. At this time, an instrument in C also appeared.
  • Starting in 1861, musicians started playing the D trumpet in works by Bach and Handel.

 

20th century

  • During the 1930s in the United States, trumpets with larger bores were introduced in orchestras (also in England after WWII and in France after 1960). The reason was to balance the volume with other brass instruments, which had adopted larger bores.
  • American and German trumpets differ in construction and sound. For instance, American trumpets have more conical tubing than German trumpets. Other differences are seen in the size of the trumpet bell, the mouthpiece cup, and the mouthpipe.
  • Standards of articulation have changed over the centuries. The current trend is to play every note with the same attack, whereas during the Baroque, unequal articulation was ideal.
  • Special techniques, once seen primarily in jazz, has now been incorporated into symphonic repertoire – for example, flutter-tonguing, vibrato, glissandos, rips, singing and playing simultaneously, airy tones, and playing multiple notes. Jazz playing also influenced orchestral music, as seen with using different kinds of mutes (e.g. cup mute, Harmon, wa-wa mute, solotone mute, felt hat, plunger mute).
  • A revival for playing the natural trumpet occurred during the 20th century. In 1960, Otto Steinkopf and instrument maker H. Finke created a trumpet with vent holes and a transposing hole, which corrected the intonation of the 11th and 13th partials.

 

Orchestra-History

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Repertoire

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