Historical outline of individual instruments


Strings


Double bass

 

Early History

  • Double basses may have been around as early as 1493 based on a description by Prospero. The earliest known illustration of an instrument in the fashion of a double bass dates to 1516. Its exact origins have been debated. One of the earliest bass string voice appeared in the viol family.
  • The numerous tunings of the double bass have been central to its history. Research suggests that there may have been as many as 40-50 different tunings over the years. The design, dimensions, and number of strings have been refashioned over the centuries as well.
  • The five or six-string violone, the predecessor of the double bass, appeared in orchestras by the late 17th and early 18th centuries. To confuse matters, the term violone has been used to refer to the bass in the viol family.
  • During the early 17th century, the five-string bass was common in Austria and Germany.

 

18th century and later

  • During the early 18th century, the three-string bass was common, and was often tuned to A-D-G or G-D-G.
  • In the orchestra, it is not clear exactly when the double bass became a standard member. The Paris Opéra, for instance, included double basses by the early 18th century.
  • During the mid-18th century, court orchestras sometimes had more bassists than cellists.
  • By the 1920’s, an additional E string was included among professional players, resulting in the current-day tuning of E-A-D-G for four-string basses.
  • In modern practice, basses have four or five strings, and may have a sloped shape similar to a viola da gamba, or a shape like a violin.
  • Orchestral music often requires virtuosic technique from players. Some well-known exposed passages appear in: Britten’s Young Person’s Guide to the Orchestra and A Midsummer Night’s Dream, Ginastera’s Variaciones concertantes, Mahler’s First Symphony, Mussorgsky’s Pictures from an Exhibition (orch. Ravel, 1922), Prokofiev’s suite Lieutenant Kije, Saint-Saëns Le carnaval des animaux, and Stavinsky’s suite Pulcinella.

 

Orchestra-History

Early HistoryClassical periodRomantic period20th century to present

Repertoire

Classical periodRomantic period20th century to present

 

 

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